Wednesday, September 30, 2015

Channel 4 reveals a bizarre rebrand

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Channel 4 is today launching a major brand redesign. Masterminded by 4Creative, Channel 4’s in-house creative agency, the new identity is brave, bizarre, and striking.

The broadcast media landscape is a much more complicated place than it was ten years ago, so there’s a need to stand out more than ever before. — John Allison, 4Creative

Designed over the past three years, there are three major areas of the British broadcaster’s identity that have been redesigned: the logo, the typefaces, and the idents.

From the very start, we wanted whatever we did to be real and to be tactile, because if you look at a lot of other branding out there, it’s very shiny and CGI-led. — John Allison, 4Creative

The logo has been revised, but retains the blocks of the original logo designed by Martin Lambie-Nairn familiar to viewers. Intended to be used off-air, mostly in print, the ‘4‘ numeral has had additional space inserted to emphasize the block elements, rather than the overall form.

Two new typefaces have been designed by Neville Brody. The first is Chadwick, a rounded, warm, corporate typeface. Its forms are heavily geometric and designed for readability.

The second typeface is Horseferry, an unusual, disruptive display text. Horseferry uses the basic forms of Chadwick, but blends in the blocks from the ‘4‘ logo. The blocks can be found as additional slab serifs, and angular cuts into the shapes. There are even abrupt angular strokes across bowls, which in isolation are ugly, but in context form a typeface packed with personality.

It’s got loads of character — it’s occasionally spiky, sometimes smooth, sometimes goes against the grain, doesn’t always follow type rules. — Alice Tonge, 4Creative

Fittingly for a broadcaster, the most striking element of the rebrand are the idents — the short films sandwiched between programs and adverts — which are beautiful and in some places edgy. They are reminiscent of the opening scenes of J.J. Abrams’ “Star Trek Into Darkness”.

Shot by Jonathan Glazer, the idents tell the story of the channel’s blocks being discovered in caves, mined from the ground, and refined in labs. They’re natural, elemental curiosities.

Channel 4’s new branding is a brave approach. Some elements are more successful than others, but as a whole it’s an identity that is impactful, original, and ambitious.


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Tuesday, September 29, 2015

The Huffington Post debuts a bold new design

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The Huffington Post used yesterday’s Advertising Week event in New York to announce the first major redesign in its ten year history.

The new design was produced in collaboration with design company Code and Theory, whose previous projects include designs for Bloomberg, the L.A. Times, and Mashable.

The site is a global leader in news, with over 214 million uniques per month, over half of which are from mobile devices. As a result, The Huffington Post, together with Code and Theory, have taken a strident view of mobile-first; the mobile site, featuring many of the new design features and functionality, was launched back in May; the desktop site will not go live until 2016.

The bold new direction for the site, manages to retain the core elements on which the brand is based. The trademark green, the familiar masthead, and the basic typography have been retained. The new design features longer page scrolls, thanks to a reduced number of columns and substantially more images.

As well as a front-end redesign, the company has taken the opportunity to revise its backend. Employing IBM’s Watson, to supplement its own analytics and research.

The feel of the site as a whole remains intact, but the new design is much stronger. It’s like the geeky kid who hit the gym over the Summer and came back to school leaner, fitter, and a lot more confident.

The Huffington Post aims to be a forward-thinking platform for information, discussion and engagement with the aim of inspiring and empowering our community…Our design reinvention, a collaboration with Code and Theory, will help further accomplish this important goal. — Jared Grusd, CEO of The Huffington Post.


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Monday, September 28, 2015

How to design forms that convert

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Web forms are the scourge of many a designer, and by extension, their clients.

Forms play a vital role on any site because they’re how sites gather all-important info during the checkout process, or lead information on landing pages. If you want to please your clients and boost their sites’ conversion rates, there’s perhaps nothing more significant you can do than design effective, optimal forms.

Design outside the box with narrative forms

The standard form is characterized by a few fields where leads fill in their basic contact details like their name, email address and phone number. It’s humdrum and very mundane…just because it’s typical doesn’t mean that it shouldn’t be messed with, though. On the contrary, try shaking things up for better conversions with narrative forms.

Narrative forms, as the name implies, are forms that keep the conversation going; instead of simply ending the story when the site copy ends. These types of forms continue to engage your leads by prompting them to fill in the blanks in a form in the style of a first-person narrative. This makes the sign-up process way more personal!

Vast.com, a site that lets users search for millions of cars for sale and real estate deals, experimented with narrative forms. They A/B tested their narrative form with the control, their standard grid form, and saw a conversion boost of between 25% to 40%. At the very least, including narration in the form produced a 25% conversion boost.

The next time you’re thinking of playing it safe when designing forms, don’t. Take this small, calculated risk, and it may pay off.

Use fewer (or more) fields

In the past few years, there’s been a debate about the specific form length that works best at boosting conversions. Newsflash: There actually isn’t a specific length that works better; shorter forms get more of a certain kind of conversion, while longer fields get more of another kind of conversion.

Conventional wisdom dictates that fewer fields on a form boosts conversions. That’s true, but only in that fewer fields produce a greater quantity of conversions rather than a greater quantity of quality conversions.

Finery’s form includes a drop down to specify why you’re contacting them. It’s an extra field, that could be omitted, but including it increases the quality of the message being sent.

Let’s look at this further. Say you have a really minimalist form that only asks for leads’ names, email addresses and phone numbers. You’ll get more conversions because the effort and time spent on inputting that info is minimal, yet the quality is questionable since you don’t know how relevant these leads are to your business. HubSpot found this to be true in its research.

On the other hand, if you have a longer form that asks for more than leads’ names, email addresses and phone numbers, you’ll have more detailed info on them, which leads to more higher-quality leads. With more info, a business can better tell if they can more easily market to them.

If your client has the goal of greater quantity of leads, then your forms should be relatively short, such as Marketo’s sign-up form for its free, downloadable guide to digital advertising. If your client has the goal of wanting a greater amount of high-quality leads, then it’s perfectly alright to lengthen your form by including more fields, so your client can get more info. Case in point: TD Ameritrade’s account sign-up form.

Only use clear labels and explanations

It’s stunning to discover that some designers still neglect the fundamentals of ensuring that users can actually make sense of a form straightaway.

The registration form for TheHugo couldn’t be clearer.

The purpose of using clear labels and explanations in forms and their fields is to neutralize any potential input problems, many of which can stem from confusion in what to enter.

The sign-up page for the Barnes & Nobles MasterCard credit card is one such case where clarity dominates the form. Looking at the fields, we can immediately see how the understandable labels are inside the boxes and easy to read.

As a bonus, said labels don’t disappear when you start typing your info into the boxes; instead, they simply become smaller, change color, and are still readable. This allows users to always understand what’s expected of them to type into any box—even if they’ve started typing. Some forms have taken criticism for removing the labels once users begin typing.

Even the explanations—like the number of required fields to fill in and extra directions for specific fields—are placed outside the boxes and in different colors to promote easy reading.

Do away with mandatory registration

If there’s anything that can kill conversions quickly when your customers are already all set to buy something from your client’s online store, it’s the dreaded registration process during checkout. Experience tells us that forcing customers to register or sign-in, which equals additional steps, prior to a purchase will lower conversion rates.

 

Condor’s checkout process doesn’t force you to register. Logging in to an account simplifies the checkout process, but the default form is for guests.

When designing forms for the checkout process, make them as short as possible to encourage the customer to go through with the purchase. Customers are rightly impatient when buying something, and no one wants to waste time on extra steps before they can properly check out.

Staples understands this perfectly. The retailer of office supplies and electronics features an initial checkout page that doesn’t force shoppers to register again or force registration on new shoppers. Instead, it allows them to easily type in their username and password into two fields if they’re returning shoppers or go directly to the checkout-as-a-guest page, where they’ll just input basic shipping info, if they’re new customers. Such a setup makes things simpler for customers and gives them more freedom and control over the checkout process, which is always welcome.

Web form best practices

Designing smart, effective forms all comes down to incorporating these best practices into your design. There’s a reason that these approaches are best practices: they’ve been proven to work, which is also why you tend to see them in the sign-up forms of successful online stores. Badly designed forms will be a drag on the site’s conversion rate so logically, it makes sense to drastically improve the design of forms on any page to improve the conversion rate of the entire site.

Remember that designing forms is just one aspect of broader web design, but it, too, should be guided by the principle of designing first and foremost for the user experience. All the tips discussed above are tried, tested and true ways to please your clients’ customers and therefore increase the conversion rates of your clients’ sites.

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Sunday, September 27, 2015

Popular design news of the week: September 21, 2015 – September 27, 2015

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Every week users submit a lot of interesting stuff on our sister site Webdesigner News, highlighting great content from around the web that can be of interest to web designers. 

The best way to keep track of all the great stories and news being posted is simply to check out the Webdesigner News site, however, in case you missed some here’s a quick and useful compilation of the most popular designer news that we curated from the past week.

Note that this is only a very small selection of the links that were posted, so don’t miss out and subscribe to our newsletter and follow the site daily for all the news.

CSS Frontend Frameworks: The Best 10 for Modern Web Design

 

How to Be a Badass Front-end Developer

 

How to do Knockout Text

 

Web Design is Now Completely Boring

 

Apple Subtly Rickrolled Everyone and It’s Hilarious

 

10 Tips to Design your Email Signature

 

Infographic: Stereotypes in Design

 

Wanted: A Designer that Can Design and Write Code? Really?

 

Google Fortunetelling – Predict your Future

 

The Lost Apple Logos You’ve Never Seen

 

Yes, this GIF Takes 1,000 Years to Loop

 

Stylesheets: Commnunity Generated Collection of the Best CSS Resources

 

This Guy Made his Million Selling his Last Name. Now He Wants to Sell You his Future

 

The Hidden Meanings Behind 50 of the World’s Most Recognizable Logos

 

Foundation 6: Leaner, Meaner and Cleaner Sass

 

How to Build an App That’s as Addictive as Coffee

 

Meet Opera’s New Brand Identity

 

The Apple Bias is Real

 

Introducing 360 Video on Facebook

 

Facebook Patent Reveals What its ’empathy’ Button Might Look like

 

What has Flash Ever Done for Us? Quite a Lot, Actually.

 

Open NASA – NASA Data, Tools and Resources

 

Facebook M’s Bet and the Future of Web Interfaces

 

A Look Inside Design at Facebook

 

Ad Blocking Irony

 

Want more? No problem! Keep track of top design news from around the web with Webdesigner News.

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